Street photography is probably one of the most miss-understood genres, not every photo taken on a street falls into the category and not all street photography actually happens there. Street photography is just as much photojournalism as it is art, in its simplest form, the goal is to capture people being people. There’s almost as many schools of street photography as there are photographers doing it, everyone has their own methods, preferences and visions but what unites us is our passion for recording the time in which we live. This series of tutorials, tips and essays will hopefully shed some light on what I’ve learned in the years I’ve been practicing. Continue reading
OverKill Launch Party
Last weekend was the private launch party for Ottawas newest hot spot for drinks and debauchery, Overkill (aka OK). Conceptualized by Guy Berube, owner of La Petite Mort gallery, Overkill looks to set itself apart from the usual Irish Pub flavored watering holes that dominate the capital. The best description I can think of was written over 40 years ago by one of my favorite bands; I give you, Dr. Hook:
Well there’s gonna be a freakers ball
Tonight at the freakers hall
And you know, you’re invited one and all
Come on babies grease your lips
Grab your hats and swing your hips
Don’t forget to bring your whips
We’re going to the freakers ball
Blow your whistle and bang your gong
Roll up something to take along
It feels so good it must be wrong
We’re freakin at the freakers ball…
- Dr. Hook (1972)
You can check out more pics from the private launch of Overkill on my Flickr.
Las Vegas 2011: Grand Canyon and Zion National Park
After driving through the Canadian Rockies, I thought I was prepared for the Grand Canyon. Not a chance. Standing on the lookout on the North Rim (the highest lookout in the Canyon) the mind recoils at the sheer size of it all. I was expecting guard rails and tourist funnels that would keep people away from the edge, but where I was at least, you could walk right up to the edge. It was so far down my usual fear of heights didn’t even kick in, I think my brain just wouldn’t accept exactly how far the fall would be. Unfortunately this was just a side trip, a 5 hour drive each way from Las Vegas, which is where I spent most of the vacation. I could have easily spent a week at either Zion or the Grand Canyon, maybe next time. Zion was surprisingly beautiful as well, and who knew, the best Crème Brûlée I’ve ever had was to be found in “middle of nowhere” Utah in a restaurant housed in an old Gas Station. If you ever drive through Zion, make sure to stop at the Whiptail Grill and try their Peanutbutter-Chocolate-Habinero Crème Brûlée, it’s to die for.
I went on this trip fully loaded, two Leica bodies and my Sony Nex, and just like my England trip, I ended up using the Sony exclusively. Could I have gotten better pics with my full Canon setup? Would it have been nice to have three bodies on me at all times for different films speeds and faster lens changing? Did I miss having a tripod? Sure… but the small size and weight of the Sony and 3-4 lenses made the trip far more enjoyable than lugging a full gear compliment in 115F weather and I’m happy enough with the shots I got. I probably could have gotten better, yes, but travelling with a group I had to balance social time and photography time. I wasn’t about to make people wait around for the perfect light or the perfect spot to setup a tripod, and I really enjoyed travelling with a group. You can see more of my Grand Canyon and Zion shots on Flickr. Stay tuned for shots from Vegas and the Hoover Dam.
More Street Photography From The Capital
As much as I love Ottawa, sometimes I miss the bustle of a bigger city, it’s hard to remain inconspicuous on an empty street. Rideau street and The Byward Market are pretty much the only areas in Ottawa where you can find a decent flow of people; during rush hour a good chunk of the population has to pass through here, everyone intent on getting home as quickly as possible. Continue reading
Advice From Behind The Lens: How To Look Good On Stage
I’ve been shooting bands for almost a decade now, and while looking back over thousands of performance shots last week, I realized that all the bands I’ve photographed fall into two categories: “That show was amazing” and “Wow, I don’t even remember taking these pictures”. I know that’s a pretty obvious statement; of course I’m going to remember some bands and forget others. What wasn’t obvious at first, however, was that the more I thought about the bands I had forgotten shooting, the more I realized musical ability had very little to do with whether I remembered the show or not. I had shot some amazingly talented musicians but had completely forgotten their live show, while I could remember in detail some four song sets of the smallest and off-key garage bands. When it comes down to it, the common denominator is that some bands forget that when you put out a CD you’re a musician, but as soon as you go on stage, you’re a performer. If you want to be remembered, you have to put on a show, be larger than life. Occasionally when a band asks me to come shoot their show, they’ll ask if there’s anything special I’d like them to do; well, here it is: my guide to getting the best photos you can out of your performance. Continue reading
What’s In The Bag: Voigtlander 50mm f1.5 Nokton
After almost a decade of shooting rangefinders on a regular basis, I’ve gone through my share of 50mm lenses. My first was a junker Russian copy of the WWII era Zeiss Sonnar, a good little performer but not terribly sharp. Next came a couple older Leica’s, an Elmar and a Summar; great lenses but still not quite what I was looking for. I really needed speed in a 50mm as I use it almost exclusively at night; f2 is the standard “fast” rangefinder 50mm aperture, going faster usually means forking out a lot more money… then along came Voigtlander. Continue reading
On The Job: Exposure or Exploitation?
Sooner or later every photographer, or really anyone who makes a hobby out of what someone else calls a career, has to figure out exactly where they stand with their trade and ask themselves the question,
“Is my work good enough to get paid for, and is that something I want to pursue?”
How do you transition from hobbyist to getting paid? Everyone needs to gain exposure, get out there, get their work seen. I’ve given away my fair share of work, but at some point it turns from gaining exposure, to losing out on a paycheck. Where is this magical turning point, you may ask. Well… it’s a very, very fuzzy line.
One big trap a lot of beginning photogs fall into, myself included, is the “pics for exposure” trade. In my experience, as soon as you hear the words “it will be great exposure for you” a big red warning light should go off in your head, along with a suitably loud siren… I find something in the “AWWWOOOOOOGAAAA” family works quite well. Pics for exposure, ninety percent of the time means “we’re too cheap to pay for a photographer”. Continue reading
The Traveling Photographer: What’s In Your Bag?
Every time I travel I end up taking way more than I need, lugging it around and cursing the day I thought I needed all this gear; but camera gear’s like rental car insurance, I’d rather have it and not need it, not need it but don’t have it. I think I’ve finally paired my travel camera bag down to just the essentials, it’s still a bloated list, but it’s the least amount of gear my “what if I need it” mind can handle. I used to bring my DSLR rig on most trips, but my back just couldn’t hack it, it’s not a gear bag you want to walk any length of time with and still enjoy yourself. With the addition of the Nex 3 to my rangefinder kit, I have the flexibility of digital with the compactness of my Leica gear.
Major Gear:
- Grafea Photo Camera Bag
- Leica M2 (primary film body)
- Sony Alpha NEX-3
(w/ M Mount Adapter
, primary digital body)
- Voigtlander Super Wide Heliar 15mm f/4.5 M Mount
- Voigtlander Color-Skopar 25mm f/4.0
- Voigtlander 35mm Ultron f1.7 (discontinued, sorry no link)
- Voigtlander 50mm Nokton f1.5 (also discontinued)
- Olympus XA (secondary film body)
- Gossen Digisix Exposure Meter
- LensPEN
- ASUS 1215P 12″ Netbook
- Leicatime neckstraps
- 2 x 16GB SD-Cards
- Kobo E-Reader
I usually have one of the wide angles on the Nex leaving the 35mm and 50mm lenses on the Leica. The XA is a great backup film camera, it’s really small, really sharp and can fit in any pocket. I picked the Asus 1215P because it’s one of the few netbooks with 1024×768 resolution; I can’t stress how important this is if you intend to use Photoshop CS3 or newer on your trip. The more recent versions of Photoshop have a really annoying “feature”; some of the most important windows like the Camera Raw dialog and the Save As window either render with buttons off screen or not at all if your screen is smaller than 768 pixels tall. The Leicatime leather neck straps are the most comfortable and stylish straps I’ve ever used. And while not strictly photo gear, the Kobo e-reader now comes with me everywhere, especially on vacation. One constant no matter where you travel is waiting. You’re going to wait for hours at various airports and transit stations, wait in line for hotels, attractions, food… you’re going to spend a good chunk of your vacation with nothing to do and always having hundreds of books at the push of a button really helps.
I usually end up filling up any nooks and crannies left in my photo bag with any gadget that will still fit, but that’s the important stuff. What’s in your travelling gear bag?
Workflow Tutorial #2: Stand Development with Rodinal
So last time I went over the basics of what happens when you develop film, if you missed it, take a look at the previous tutorial: Film Developing Basics. Go on, I’ll wait… read it? Good! Now we’ll take a look at stand development, my personal favorite. Stand development goes against the grain of a lot of photographers, especially those that have worked in or with professional developing labs because it thumbs its nose at most of the standard practices and gives the finger to the rest. Film should be developed at a tightly controlled, exact temperature… stand development doesn’t care. You should have a stop watch on hand to precisely schedule each inversion cycle and total development time… nope, don’t care. Under no circumstances should two different brands or two different ISO rolls be developed in the same tank… well, maybe… nah don’t care. Normal developing methods are more or less an exact science, every photographer might have their own tweak on the manufacturers recommended times, but it’s just their own exact science. Stand development is grounded in some good science, but it’s much more an art form. Ask any two photographers how long you soup Tri-X in D76 and you’ll get pretty much the same answer every time, but everyone I’ve talked to about stand development has given me wildly different magic formulas for the perfect soup… and they all work.
Continue reading
Summer Print Sale!
This summer I’ve decided to do a limited run of three of my favorite images. Each image will have ten signed and numbered prints in its run, stamped for authenticity. You can drop me an email at photography@jbhildebrand.com , or send me a message on twitter or facebook if you’d like to reserve yourself a print. All three images are high quality scans from the original negative printed on archival grade photo paper. Post No Bills and Imposing are 24″x24″ and are priced at $200 and Lumière is 12″x18″ and priced at $120. Local pick up is free, shipping within Canada will be $15, shipping outside Canada will depend on where you are and how fast you want it. If you have any questions feel free to send me a message or comment on this post. If you’ve been wanting a print of an image not in this run, let me know and I might be able to include it in my print order if you catch me in time.




















