Category Archives: Street Photography

Flickr Members Join the SOPA/PIPA Protest

Today many websites are joining in protest of the US Governments SOPA/PIPA bill by blacking out their content and providing links to information about the proposed bills. Among the protestors is Wikipedia which has blacked out its English language pages for the first time ever.  Flickr has also given its members a chance to join in the protest by blacking out their photos for 24hrs as you can see above.

It’s hard for me as a photographer, on one hand I’m in favour of better protection for my own IP, but the heavy handed methods and sneaky introduction of this bill worries me.  For now the bill would only affect users in the US directly, but by censoring and limiting every internet contributor in the US, we’ll all be affected.  It’s also not unforeseeable that, if passed, the US could pressure the Canadian, and in fact any other government to also enact similar laws.

I believe there should be better protection of IP on the internet, especially protection available to those who don’t have the money to bring legal action on their own, but not at the expense of unilateral government controlled censorship.  There’s plenty of ways to bring IP to the internet while minimizing your risk of piracy, Apple has proved it’s possible with iTunes.  Why should I go to the trouble of pirating music when it’s available to me at a click of a button, for a buck a track, anywhere there’s internet.  Companies like Apple and Netflicks have proven that, when offered a product at a reasonable price, people will pay rather than pirate.  The companies lobbying for this bill need to start working with the internet instead of trying to legislate it away.  Please take a second and read the Wiki article on how SOPA/PIPA will affect you, and join the protest in any way you can.

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Street Photography Tutorial #3: Visualizing The Shot

Whether you shoot from the hip or bring your camera up to eye level, being able to pre-visualize a shot is one of the most important skill every photographer should learn. Unless you’re shooting in a studio with all the time in the world to play around with lighting and focal lengths, being able to know, even roughly, what your camera’s going to see ahead of time is a must. Even in the studio, time is usually money, and being able to create a shot in your mind before you even touch a camera will save you both; if you can switch focal lengths or lighting in your head you only have to do it once physically. Continue reading

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Street Photography Tutorial #2: Tools of the Trade

Last tutorial I talked about the two main types of street photographer: Hunter or Gatherer. This time I’m going to go into the tools of the trade. My street photography kit is very different from my working kit in many ways; my usual working kit contains everything I think I’m going to need for a job, a lot of things I’ll probably need and many things I’ll never need but feel better for bringing. My street photography kit however is usually only about half of what I would like to bring on a given day. The reason for this is simple, on a job I have to be ready for any possibility I can think of and be prepared for the fact I didn’t think of everything. Less is more however when it comes to street photography; I could be walking around for hours so the less I’m carrying the better, and the fewer lenses I bring the less I’ll be inclined to focus on lens selection instead of watching what’s going on around me. There’s many reasons to keep your street photography kit small, which I’ll get into as I go, but first things first, lets talk about the foundation of any kit: your camera and lens(es). Continue reading

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Street Photography Tutorial #1: Hunter or Gatherer?

Street photography is probably one of the most miss-understood genres, not every photo taken on a street falls into the category and not all street photography actually happens there. Street photography is just as much photojournalism as it is art, in its simplest form, the goal is to capture people being people. There’s almost as many schools of street photography as there are photographers doing it, everyone has their own methods, preferences and visions but what unites us is our passion for recording the time in which we live. This series of tutorials, tips and essays will hopefully shed some light on what I’ve learned in the years I’ve been practicing. Continue reading

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More Street Photography From The Capital

As much as I love Ottawa, sometimes I miss the bustle of a bigger city, it’s hard to remain inconspicuous on an empty street. Rideau street and The Byward Market are pretty much the only areas in Ottawa where you can find a decent flow of people; during rush hour a good chunk of the population has to pass through here, everyone intent on getting home as quickly as possible. Continue reading

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England Trip 2011: Round Two

I’m slowly going through all the thousands of photos I took on my spring trip to London. As I said in my previous England post, while I brought a bunch of film gear on the trip, I ended up using my Sony Nex 3 for most of the trip. As much as I was impressed with the camera it really made me realize how much my mindset changes depending on what I’m shooting with. When I’m shooting film I’m much more careful with each shot. I take my time framing, judging exposure and I’m much more reluctant to squeeze off a shot at just anything. My keeper rate when shooting film is definitely much higher. Out of a 36 shot roll I’m usually happy with roughly half the frames and will get at least 2-3 really nice shots.

Comparing that to shooting digital, I get the same number of keepers from a full 8 gig card with hundreds of shots on it. I’m much more trigger happy with digital and quite a bit sloppier with framing and exposure because I don’t have that little voice in the back of my head saying “That picture’s going to cost you $0.25 to take, and you only have 10 more shots on the roll”. On the plus side though, I find digital does produce more dynamic and unusual shots because I’m more willing to take risks on subjects I wouldn’t take the chance of wasting a frame of film on. The nightmare begins when I get home after a two week trip with 3000+ images to go through.

I’m about half way through now, I still have all of Iceland to go through but they’re coming. I’m definitely going to have to make a second pass at these shots though in about six months time. Time enough to get some distance from the subject matter.

On a different note, a lot of cool stuff has been going on in Ottawa lately, stay tuned for pics from Fringe Festival, Roller Derby and more from the world of Canadian Music.

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Dana Meise – The Great Hike

You meet all kinds of people when you spend your free time wandering around the city with a camera. My last post dealt with some of the unfriendlies I’ve come across in my wanderings, so I thought I’d share the story of Dana Meise to balance things out.

I met Dana while I was walking up Elgin one night, he stopped me to ask directions to the Byward Market. I was heading there myself so we walked and talked our way up there. Turns out Dana is hiking his way across Canada and had just arrived in Ottawa. He started out in 2008 in Cape Spear, Newfoundland, at the eastern end of the Trans Canada Trail and has been hiking his way west in stages ever since.

He’s not officially sponsored by anyone but has found support from all over Canada, from donations of gear and supplies to places to crash for the night. Currently he’s taking donations for the Brain Injured Group; if you’d like to support his cause you can check out his website The Great Hike or support The Great Hike on facebook.

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Photography Is Not A Crime

This will be a bit of a departure from my usual style of post, but I feel the need to rant a bit. I have many photographer friends in other countries that complain about the harassment and abuse they receive for merely carrying a camera in public, mostly in the US and UK. There’s a British blog, Not A Crime, that documents this rather well and it’s spawned many others from other countries. Post 9/11 there seems to be an ever increasing animosity towards photographers, especially in the more draconian police states that believe fear is the best way to control the populace all the while preaching about truth, justice and freedom.

Here in Canada I’ve been happily free from this kind of abuse, most of the time. Today I was walking around and was confronted by two different people in the span on 10 minutes. I wasn’t even taking a picture at the time, just walking down the street with a camera around my neck. The first person, a older woman, got right up in my face asking if I’d taken her picture… what was I doing with the pictures I took… and so on. On a side note, I never take a close up portrait of someone without asking, but this is purely a courtesy, not because it’s against the law. The second was a man about my age who started getting really loud and angry yelling “did you take pictures of my kids! I’m gunna call the cops you freak”… his kids were nowhere to be seen, and I hadn’t taken a picture in a while, so I don’t know where he was coming from. Needless to say this put me in a bit of a bad mood, so I decided to write about it to get it out of my system.

I’m not sure where this connection between photographers and criminal behavior came from. Most people have the same two problems with it. Photographers are either terrorists or pedophiles… which makes absolutely zero sense. Lets look at terrorism first… if I were a terrorist, wouldn’t I use a cell phone, or some discrete little digital to take pictures…. not a huge SLR you can see from a block away. And why go take pictures of a target yourself, between google image search, flickr and google earth you can probably get pictures of anywhere on earth better than you could take yourself. Do a google image search of the MI6 building and see for yourself.

The pedophilia complaint is the one that really gets me. I did a bit of research and in the US, of all the reported cases, the odds of a child be abducted or sexually assaulted by a complete stranger is 1 in 347,000. The vast majority of abductions and sexual assaults on minors are committed by a close friend of relative of the child. Ironically these are the same people parents have absolutely no worries about taking pictures of their kids. Further, I wasn’t able to find a single case of a pedophile stalking or abducting a child because of a photo they took or found on the internet, it’s completely a fabrication of thriller movie plots and shows like CSI. And again, if I really wanted to take pictures of your kids, wouldn’t I use a little cell phone that no one seems to blink an eye at, not a large professional camera in plain view.

Street photography is about recording everyday life as an art form and as an archive of the time we live in. Without street photography, a hundred years from now all we’ll have to judge what life was like in our times is posed portraits, celebrity paparazzi pics and a billion drunken facebook party pictures. The work of people like Capa and Bresson is famous world wide and among some of the most influential photography of all time. We’re getting dangerously close to all but outlawing this type of art and it’s a scary thing.

And what really baffles me is that people are either ignorant or knowingly ignore the laws regarding photography in public. In Canada, any subject in public, building or person, is fair game to take a picture of. You can take a picture of ANYONE in public as long as there’s no reasonable expectation of privacy. So for instance you can’t take someones picture through a fence, or into a building because there’s a reasonable expectation of privacy, but on the street… anything goes. The only time you need permission or a release form is if you intend to use the photo for commercial use… but that’s it. Now, as I stated, I rarely if ever take a close up picture of someones face without asking, either before or after I take the picture… and I’ve had many people ask me to send them a copy which I’m more than happy to do. You may not like the fact that that’s how the laws of this country work, but that’s not an excuse for making up your own laws. I don’t like that there’s often dog poop on the sidewalk, but I’m not going to harass every dog walker because of one dog owner failed to scoop. There are definitely times when photography is inappropriate or illegal, but please don’t treat every photographer as a criminal by default.

Anyways… sorry about the rant, but I needed to put this into writing to get it out of my system. I’ll leave you with a quote from a great man from a country that purports to be the center of freedom and justice in the world… though current events might make it seem otherwise:

“They who can give up essential liberty to obtain a little temporary safety deserve neither liberty nor safety.”
- Benjamin Franklin

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Down on the Corner: Busking the Streets of Ottawa

Ottawa has had a long tradition of great street performers, but in recent years the number of acts hitting the streets has been declining and we have Big Brother Business to blame.

Busking used to be a great way for struggling musicians and performers to make a buck and maybe get yourself noticed, but now businesses want to take a cut. City of Ottawa requires buskers to cough up $200 a year for a buskers license in order to work the Byward Market… but it doesn’t stop there, each financial district has it’s own Business Association that can levy it’s own fee for buskers… you want to work the streets in front of Parliament, that’s another license… you want to work Elgin… popped again… Bank St pull out your wallet boys and girls.

When I came to Ottawa for University in ’99 the Market was full of amazing buskers from all over the world. Acts from Europe and Australia especially loved coming to the Capital, ten years later I walk around the market and in a good week I see one fresh face I haven’t seen before. Mostly it’s the same half dozen acts that to be honest, have gotten lazy. Those that can afford the license now seem to think they own the place and don’t really have to try anymore. Don’t get me wrong, there are still quite a few quality performers out there, the ones that really put on a show… engage the audience and really seem like they’re serious about it, Stunt Double Circus comes to mind. But you can tell there’s a lot of buskers that are pretty much just phoning it in now… it’s not enough to show up in dirty jeans and a t-shirt and bang out the same three songs all day if you want people to cough up their pocket change in a time where pocket change is getting harder to hang on to. And out of town acts are virtually non-existent so far this year, some struggle to just break even between room, board and travel expenses to tour different countries, being popped for a license on top of all that just doesn’t make Ottawa a financially attractive place to set up shop.

Busking has been integral to making the Market what it is today, and now business and industry is turning it’s backs on part of the reason the Market is so successful. Many great Canadian acts got their start busking, we wouldn’t have the Barenaked Ladies without it, but now it seems quality buskers might be a dying breed in this corner of the country. Be warned Ottawa, if this continues street theater will be gone from this town and it may never come back.

You can see more shots of Ottawa Street Music on my Flickr. If you see someone there, they’re worth checking out… throw them an extra buck or two. You may have seen my Stunt Double Circus pics already, but they’re definitely worth checking out in person if you get the chance.

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Reflections on Film

I’ve been having a ton of fun with the new rangefinder setup, especially with the super-wide Voigtlander 15mm lens. I’ve been shooting a lot more film recently, using digital pretty much solely for my professional work.

This image was taken with the 15mm on the Rideau Canal, right near the locks by Parliament. The film was past date Kodak Ektachrome slide film I got processed at Walmart and scanned at home. I’m getting really nice results scanning at home, and should get even better when my glass negative holders get here. They keep the film flatter for scanning, giving much better sharpness.

I’ve added quite a few shots to my Street Photography set on Flickr, and will hopefully have more coming as I slowly go through the rolls I’ve shot over the last couple months. Winter’s a slow time for me going out and shooting, Ottawa weather is usually too cold or too wet for comfortable casual photography so I’ll be using the time to go through the archives… stay tuned.

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