I still shoot quite a bit of film, especially when I’m out shooting for fun instead of on the job. Cross processed slide film is one reason I don’t think I’ll ever give up film. Digital has made my job a lot easier when I need guaranteed consistent results but film still does things my DSLR will never be able to do.
Film always manages to surprise me. I used to keep detailed notes when I did my own developing or stick with the same lab when for my color film to keep my results consistent, but nowadays I’m pretty loose with my routine. Mostly because it’s so liberating. I can go out and only pay cursory attention to exposure and all the technical stuff and concentrate on composition. I have to be very careful with exposure with my digital gear; too much light and my highlights are blown, too little and you get horrible noise in the shadows. Film is so forgiving I just need to be roughly in the ballpark and I’ll get a scannable negative.
Cross processing throws another wrench in any plans for consistent results as I usually have NO idea how it’s going to turn out. Each brand of film turns out differently when processed in C41 chemicals… anything from a major shift to red or purple to bright greens and blues. I usually shoot old expired film when I cross process as well which alters the end result as well, plus you can usually pick it up on the cheap. You can usually expect reds to be boosted and everything else shifted towards green like the shot shown here… but it’s still a shot in the dark.
It’s just too much fun to go an pick up a developed roll and see what you end up with. The only down side is that because cross processing has developed a devoted cult following due to the holga/lomo movement expired film is actually going for more than the fresh stuff some places. You can see some more examples of my cross processed shots on my Flickr.