Category Archives: Gear Talk

Flickr Members Join the SOPA/PIPA Protest

Today many websites are joining in protest of the US Governments SOPA/PIPA bill by blacking out their content and providing links to information about the proposed bills. Among the protestors is Wikipedia which has blacked out its English language pages for the first time ever.  Flickr has also given its members a chance to join in the protest by blacking out their photos for 24hrs as you can see above.

It’s hard for me as a photographer, on one hand I’m in favour of better protection for my own IP, but the heavy handed methods and sneaky introduction of this bill worries me.  For now the bill would only affect users in the US directly, but by censoring and limiting every internet contributor in the US, we’ll all be affected.  It’s also not unforeseeable that, if passed, the US could pressure the Canadian, and in fact any other government to also enact similar laws.

I believe there should be better protection of IP on the internet, especially protection available to those who don’t have the money to bring legal action on their own, but not at the expense of unilateral government controlled censorship.  There’s plenty of ways to bring IP to the internet while minimizing your risk of piracy, Apple has proved it’s possible with iTunes.  Why should I go to the trouble of pirating music when it’s available to me at a click of a button, for a buck a track, anywhere there’s internet.  Companies like Apple and Netflicks have proven that, when offered a product at a reasonable price, people will pay rather than pirate.  The companies lobbying for this bill need to start working with the internet instead of trying to legislate it away.  Please take a second and read the Wiki article on how SOPA/PIPA will affect you, and join the protest in any way you can.

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Thoughts on the Fuji X-Pro1

 

When the mirror-less cameras started coming out a couple years ago, most serious photographers said, “Meh, interesting, but no thanks”. The idea was sound, but the features just weren’t there. The smaller sensor size, and resulting crop factor kept most people sceptical, and the lack of viewfinder scared the rest away. Panasonic made some progress with their G series, but it still wasn’t a serious workhorse; at best the Micro 4/3rds cameras were considered nice snapshot tools to take on vacation when you didn’t want to lug around your Canon or Nikon gear. Continue reading

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A Word on the Lytro: Technology Vs Creativity

Last week saw the release of yet another technical marvel in the world of photography, possibly one of the most important photographic inventions since the digital sensor. Behold the Lytro, the worlds first commercial camera capable of recording depth in a photo, allowing you to change the plane of focus after the shot. I’m not going to go into details on how this little gadget works, there’s a ton online already for those that are interested. It doesn’t really matter, let’s call it Wizards and forget about that for now.

At the moment the technology is too knew to be even considered for professional work. It hasn’t been confirmed yet as the Lytro company has been pretty dodgey about releasing actual technical specs for the camera, saying only that it has an “11 Mega-Ray” sensor, which is exactly what it sounds like… techno-babble to confuse the masses into buying into a big number in front of an “M”, because no self-respecting consumer would buy a digital camera with less than 10 M’s… M’s are good right? That’s where the Jiga-Pixels come from right? One of the pro-photogs that was given a pre-release sample said the actual resolution is somewhere between 1-2MP, so good enough for the web or a 4X6 print.  I knew something smelled fishy when actual resolution numbers where nowhere to be found in any of the press material. Continue reading

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Street Photography Tutorial #2: Tools of the Trade

Last tutorial I talked about the two main types of street photographer: Hunter or Gatherer. This time I’m going to go into the tools of the trade. My street photography kit is very different from my working kit in many ways; my usual working kit contains everything I think I’m going to need for a job, a lot of things I’ll probably need and many things I’ll never need but feel better for bringing. My street photography kit however is usually only about half of what I would like to bring on a given day. The reason for this is simple, on a job I have to be ready for any possibility I can think of and be prepared for the fact I didn’t think of everything. Less is more however when it comes to street photography; I could be walking around for hours so the less I’m carrying the better, and the fewer lenses I bring the less I’ll be inclined to focus on lens selection instead of watching what’s going on around me. There’s many reasons to keep your street photography kit small, which I’ll get into as I go, but first things first, lets talk about the foundation of any kit: your camera and lens(es). Continue reading

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Hello, My Name is Jesse and I have a problem…

Hello, my name is Jesse, I suffer from GAS but it’s been over 6 months since my last purchase. It’s been a hard road, but I’m fighting, one day at a time. I know I’ll never be free of GAS, but I’m finally controlling it, instead of letting it control me.

For those of you new to the group, GAS or Gear Acquisition Syndrome, is an epidemic sweeping the photographic community, you’re not alone in this. Although it started in a very small subset of the population, mostly professionals and collectors, it has spread into the general populace at a staggering rate. Besides the fact that cameras are awesome, as electronics have become the de facto status symbols of our generation the urge to have bigger, better, more than our friends and neighbours is increasing. This creates a fertile breeding ground for GAS. GAS is highly infectious, highly contagious, expensive to treat and will lead to many hours of internet browsing. Although not sexually transmitted, it can be repellent to non-sufferers. Continue reading

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What’s In The Bag: Voigtlander 50mm f1.5 Nokton

After almost a decade of shooting rangefinders on a regular basis, I’ve gone through my share of 50mm lenses. My first was a junker Russian copy of the WWII era Zeiss Sonnar, a good little performer but not terribly sharp. Next came a couple older Leica’s, an Elmar and a Summar; great lenses but still not quite what I was looking for. I really needed speed in a 50mm as I use it almost exclusively at night; f2 is the standard “fast” rangefinder 50mm aperture, going faster usually means forking out a lot more money… then along came Voigtlander. Continue reading

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The Traveling Photographer: What’s In Your Bag?



Every time I travel I end up taking way more than I need, lugging it around and cursing the day I thought I needed all this gear; but camera gear’s like rental car insurance, I’d rather have it and not need it, not need it but don’t have it. I think I’ve finally paired my travel camera bag down to just the essentials, it’s still a bloated list, but it’s the least amount of gear my “what if I need it” mind can handle.  I used to bring my DSLR rig on most trips, but my back just couldn’t hack it, it’s not a gear bag you want to walk any length of time with and still enjoy yourself.  With the addition of the Nex 3 to my rangefinder kit, I have the flexibility of digital with the compactness of my Leica gear.

Major Gear:

Supplemental Gear

I usually have one of the wide angles on the Nex leaving the 35mm and 50mm lenses on the Leica.  The XA is a great backup film camera, it’s really small, really sharp and can fit in any pocket.  I picked the Asus 1215P because it’s one of the few netbooks with 1024×768 resolution; I can’t stress how important this is if you intend to use Photoshop CS3 or newer on your trip.  The more recent versions of Photoshop have a really annoying “feature”; some of the most important windows like the Camera Raw dialog and the Save As window either render with buttons off screen or not at all if your screen is smaller than 768 pixels tall.  The Leicatime leather neck straps are the most comfortable and stylish straps I’ve ever used.  And while not strictly photo gear, the Kobo e-reader now comes with me everywhere, especially on vacation.  One constant no matter where you travel is waiting.  You’re going to wait for hours at various airports and transit stations, wait in line for hotels, attractions, food… you’re going to spend a good chunk of your vacation with nothing to do and always having hundreds of books at the push of a button really helps.

I usually end up filling up any nooks and crannies left in my photo bag with any gadget that will still fit, but that’s the important stuff.  What’s in your travelling gear bag?

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England Trip 2011: Round Two

I’m slowly going through all the thousands of photos I took on my spring trip to London. As I said in my previous England post, while I brought a bunch of film gear on the trip, I ended up using my Sony Nex 3 for most of the trip. As much as I was impressed with the camera it really made me realize how much my mindset changes depending on what I’m shooting with. When I’m shooting film I’m much more careful with each shot. I take my time framing, judging exposure and I’m much more reluctant to squeeze off a shot at just anything. My keeper rate when shooting film is definitely much higher. Out of a 36 shot roll I’m usually happy with roughly half the frames and will get at least 2-3 really nice shots.

Comparing that to shooting digital, I get the same number of keepers from a full 8 gig card with hundreds of shots on it. I’m much more trigger happy with digital and quite a bit sloppier with framing and exposure because I don’t have that little voice in the back of my head saying “That picture’s going to cost you $0.25 to take, and you only have 10 more shots on the roll”. On the plus side though, I find digital does produce more dynamic and unusual shots because I’m more willing to take risks on subjects I wouldn’t take the chance of wasting a frame of film on. The nightmare begins when I get home after a two week trip with 3000+ images to go through.

I’m about half way through now, I still have all of Iceland to go through but they’re coming. I’m definitely going to have to make a second pass at these shots though in about six months time. Time enough to get some distance from the subject matter.

On a different note, a lot of cool stuff has been going on in Ottawa lately, stay tuned for pics from Fringe Festival, Roller Derby and more from the world of Canadian Music.

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Grafea Camera Bag Shoot

Amidst the craziness of Ottawa Fashion Week I snuck in a shoot with Tania for Grafea London. Grafea are the creators of some of the most gorgeous and affordable leather bags, briefs and purses I’ve ever seen. I wrote a review for their newest camera bag, the Grafea PHOTO a few months ago and recently they approached me to do a shoot for the bag.

I wanted to do an outdoor shoot, but Ottawa has not been very accommodating weather wise. It’s been either too cold, too sunny or too rainy every time I tried to put the shoot together, finally we decided to just go for it, regardless of the weather and see what happens. This particular day it was blindingly sunny and deceptively cold. We ended up having to do the shoot in whatever shade we could find. It turned into a complete run and gun, eight locations and four hundred plus shots in just under an hour.

Sometimes I actually prefer this method as it keeps you from over thinking things. You can have a great plan with the perfect location and somehow when it’s time to shoot there just isn’t that magic you pictured in your mind. By running from location to location and shooting a minimal number of shots per site you get a great variety to work with afterwards and avoid the

“200 shots of the exact same thing” syndrome that seems to have taken over the digital workflow. One of my least favorite things that digital has given me, hours sorting through what’s essentially the same photo to pick out the best shot. It also keeps the model fresh and spontaneous, over all I think it worked out well in this case.

You can see the rest of the Grafea Camera Bag Shoot on my Flickr. Stay tuned, as some of the shots are currently up on Grafea’s Blog and some will soon be included on their website as well. Many thanks to Tania, she was great to work with as always.

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Grafea PHOTO Camera Bag Review

About two years ago, after a long and exhaustive search, I finally found the perfect camera bag for my rangefinder kit from a company called Grafea out of the UK. Well last week Grafea was kind enough to send me a sample of their newest camera bag to review: the Grafea PHOTO. It’s very similar to their previous bags with one very important addition, a padded and removable insert. The bag pictured in this review is their “Caramel” color but I’ve been told it will be available in dark brown and black very soon.

My original Grafea bag has been on my shoulder almost every day since I bought it, so I had pretty high hopes and equally high expectations from this new bag. It’s slightly taller but with slightly less room back to front, roughly the same internal volume. I was excited about the added height as there are a few items in my kit that where a bit too tall for my previous bag; my netbook for one, it would fit but protruded a bit above the top. It has the same side pockets and zippered back pockets as the original camera bags. The stitching and construction is great, and it’s made from the the same type of high quality leather as my old bag. I was a bit disappointed when I first picked up the bag as the leather felt stiffer than my old one, but on reflection that’s not surprising; it’s the difference between a brand new baseball glove and one that you’ve been using for years that’s become an extension of your hand. Like any quality leather product it’s going to take some breaking in, I’d just forgotten the mileage I’ve put on my original bag. One thing this has made me realize though, is that while all my other camera bags are looking worse for wear after even occasional use, my Grafea bag looks better and better as time goes on, acquiring the character you expect from well used leather. Continue reading

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