Author Archives: jbhildebrand

DPI: The Most Misused Abbreviation in Photography

The abbreviation DPI has become one of the most used, but least understood term in relation to digital photography today, bar none. Every time I teach a photography class I end up having to do a 15 minute spiel on what it actually stands for and why most people should try their hardest to erase it from their brain in relation to what they think it means. It’s particularly confusing because it sounds like it’s being used correctly most times. If you value your sanity and the sanity of those around you, please keep reading. Continue reading

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New Tricks for an Old Dog: Is Your Style a Choice or a Crutch?

For the longest time I was convinced that street photography looked better in black and white. It makes sense; Henri Cartier-Bresson, Garry Winogrand, Bruce Gilden and all the other masters all shot in black and white, and if it’s good enough for them, it’s good enough for me. During the course of this winter I was definitely feeling bored with my photography. I thought it might be the lack of good shooting weather and the general blah of the winter months but then I started thinking more about my self-imposed monochromatic style. I wondered if it was truly a choice or whether it was a crutch I was leaning on that was keeping me from growing as a photographer. Well a while ago, completely by accident, I re-discovered color which prompted me to go back and take another look at some of my favourite black and white images. Continue reading

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Street Photography Tutorial #6: Shooting From The Hip II

In my last tutorial, I talked about all of the photographic benefits of shooting from the hip, and while I got a lot of positive feedback about the techniques themselves, many people were concerned about the social aspects of hip shooting. They felt that they’d love to try it, but they were worried that they would be perceived as being surreptitious, sneaky or sketchy for shooting without raising their camera. I completely understand where they’re coming from, but in the end, the key is to remember that there’s absolutely nothing wrong with shooting from the hip; you’re not doing anything wrong or illegal. If you can convince yourself of that you’re halfway there. The other half is learning how to defuse confrontations before they start. Continue reading

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Street Photography Tutorial #5: Shooting From The Hip

If you’ve been following along with my street work, you’ve probably noticed I do most of my shooting from waist height and there are a couple very good reasons why. In a previous tutorial we talked about visualizing the shot, if you haven’t read it, you should give it a quick read before we continue as most of the stuff I’m going to go over this time is dependant being able to “see” what your camera sees without looking through the viewfinder. Shooting from the hip isn’t exactly a new concept; photographers have been doing it since before street photography was even considered a genre. If you’re not familiar with the term, it’s exactly what it sounds like, taking a picture without raising your camera to your eye, its use stemming from the hand gun technique of the same name.

The main reason many street photographers use this method is to maintain a low profile and keep people from reacting to a camera being around, trying to preserve the natural moments in life of people immersed in their environment. I’m definitely of the school that thinks street photography is best done as candid as possible; otherwise it’s just an unnatural pose that happens to be on the street. Continue reading

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Sony Nex 7 Rolling Review: Part III – Paired with the Voigtlander 15mm F4.5 Heliar

The main reason I bought the Sony NEX 7 was to use with my Leica M kit, even though many reviews that said the NEX 7 sensor has a serious flaw that makes it unsuitable for use with wide angle rangefinder lenses. The NEX 7 sensor has a layer of micro-lenses, these micro-lenses focus the light hitting them from the lens onto the photo-receptor sites of the sensor. On the NEX 7 they’re built with SLR type lenses in mind that sit much farther from the sensor than rangefinder lenses, the light coming from SLR type lenses striking the sensor at nearer to perpendicular angles. Rangefinder lenses, especially wide angle ones, have rear elements that extend much closer to the sensor, causing the light they focus to hit the sensor at much more oblique angles the further they strike from the center. The micro lenses of the NEX 7 sensor can’t seem to handle light hitting them at such extreme angles which leads to color shifting and lowered sharpness at the edges and corners. I won’t dispute this makes the NEX 7 less than optimal when paired with such lenses, the question is: “Is less than optimal still good enough to take good pictures?” The first lens I’ll be taking a look at with this in mind is one of my favourites, the Voigtlander 15mm f4.5 Heliar. Continue reading

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Street Photography Tutorial #4: All the Small Things

Photography is an expensive hobby; besides the big stuff like cameras and lenses there’s an endless hoard of little gadgets and gizmos we’re told we can’t possibly live without. I’m usually a bit fan of buying local, but for some things I just can’t justify the ridiculous mark up. At some point someone decided that since we’re willing to shell out a thousand dollars for a lens, we won’t shirk at the $80 price tag on an official lens hood for it (which should be included on all lenses anyways, but don’t get me started on that). Take the example of the Canon ET-65B lens hood for my 70-300mm: eBay from Hong Kong is $4.23 and the price at the local photo store… wait for it… $74.95 for what amount to three cents worth of moulded plastic! Like I said, I like to shop local and official but come on, a price difference like that is just insulting. Here’re a few indispensible accessories you can get on the cheap on eBay that every street photographer should add to their bag.
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Posted in Gear Talk, Street Photography, Tutorials | 4 Comments

Sony Nex 7 Rolling Review: Part II – 18-55mm Kit Lens Performance

Yeah, yeah… I said I wasn’t going to do a write up on the kit lens on the Sony NEX 7, but after the shoot at the Old Howard Smith Paper Mill I felt I had to speak up for this little gem. I’ll be honest, I never really gave it a chance when I got it along with my NEX 3. I played with it a bit when I first got it then quickly put it on the shelf, because hey, real photographers don’t use kit lenses, right? Well damn, is my face red. Continue reading

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What’s In The Bag: Bringing a Camera is Only Part of Being Prepared

Time for another look at what’s in the bag! Last weekend I was invited along to a shoot at the Old Howard Smith Paper Mill in the outskirts of Montreal. This was my first trip to the location, so I didn’t really know what to expect; it’s situations like this that make my days in Boy Scouts really pay off. When you’re getting ready for a shoot, a photographer’s first instinct is to think about camera gear: lights, lenses, cameras, memory cards and tripods. These are all necessary, but often not the most important things you’ll bring to a shoot. In then end a camera is just a tool to record an image; if you’re too tired, cold, hungry, wet or blind to use it, no amount of camera gear is going to get you the shots you want. Most of us have sunk a small fortune into our photography bag, luckily you don’t have to win the lottery or hit it big on Partypoker to put together a decent support kit with whatever’s left in your wallet. If you’re heading out to shoot on location, especially an unfamiliar one there’s a few essential you’ll want to bring.
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Sony Nex 7 Rolling Review: Part I – First Impressions

This is part one of my ongoing review of my new toy, the Sony NEX 7. Over the next couple months I’ll be posting my thoughts on the camera paired with various lenses, I didn’t buy it to get into Sony’s E-Mount lenses, it’s primarily to compliment my Leica film kit so I’ll be talking about it with those lenses in mind. Sony’s own lens offerings aren’t amazing so far, I may pick up their new 50mm this summer, but that’s about it. There’s been a lot of controversy over this camera in the rangefinder circles; it was hoped that the NEX 7 would be the Leica killer, a camera the average user could afford that overcame all the little issues we’ve all be complaining about with other mirrorless cameras. It’s got a nice big sensor, gorgeous EVF, lots of manual control nobs and buttons, built in flash, articulated LCD and offers tons of different ways for the user to customize control. On paper it’s almost the perfect camera, but conflicting results with wide angle rangefinder lenses had many people worried. I’ll get to that later, but first let’s start with first impressions. Continue reading

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Hawk’s Factory Close Focus Adapter Review

The Hawk’s Factory Close Focus Adapter is a marvelous little piece of engineering that many people won’t care about, and those that should care, probably don’t know about. One of the biggest limitations of any rangefinder system is close focus ability. Rangefinder bodies and lenses just aren’t designed for it; parallax error makes focusing closer than around a meter very difficult with mechanical rangefinders so there was never really any reason to build a lens that could focus closer than that. Using a rangefinder lens on a mirrorless camera avoids the issue of parallax error, but the lenses still can’t focus any closer than they used to; enter the Hawk’s Factory Helicoid. Not only does it allow Leica M lenses to be mounted on a Sony E-Mount camera, it’s got a built in helicoid to move the lens out a few more millimeters from the sensor. So what… a few millimeters, what does that give you? Quite a bit actually…
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Posted in Gear Talk | 5 Comments